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I’m always suspicious of covers but Walsh attacked these with purpose, demonstrating that he could assimilate styles without being merely imitative. What really sold me on Walsh, though, was his audacious decision to cover the Buffalo Springfield’s “Bluebird” and the Yardbirds’ “Lost Woman” back to back. Just as the listener settled into this groove the band followed with the punch-in-the-face of “Funk #48,” snappy metal syncopation with Walsh’s flashy stutter-step chording in a crisp duck and weave with Jim Fox’s precision drumming. The psychedelic strings-and-guitar “Introduction” led into guitarist/vocalist/keyboardist Joe Walsh’s Beatlesque “Take a Look Around,” with its Hammond B3 organ washes overdubbed against ethereal Echoplex guitar figures and Walsh’s Alice-in-Wonderland vocals. The trio’s debut had an experimental vibe shared with so many releases at the time. Way back in 1970 when I was writing for Zygote magazine, I pitched an article on the James Gang based on a record I couldn’t get off my turntable, Yer’ Album.
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‘Brandy’ by Looking Glass (It’s a Fine Song).Cheap Trick’s ‘In Color’: The Radio-Ready Sophomore LP That Put Them on the Map.Great Classic Rock Trios: 10 Powerful Threesomes.When Bill Withers ‘Punk’d’ the USC Trojans Football Team.Joe Cocker’s ‘Mad Dogs & Englishmen’: More Than a Little Help.That ‘Don’t Touch My Records!’ Scene in ‘Diner’.Bangles’ Susanna Hoffs Writes First Novel, ‘This Bird Has Flown’.
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‘My Life As a Rolling Stone,’ a Rewarding Docu-Series: Review.Class Axes & the Guitarists Who Wielded Them (Pt 2).The Rolling Stones’ ‘Tumbling Dice’: Admit It, You Don’t Know the Lyrics.